A Clear Inspiration

Saturday April 26th, 2008

Muruganathan Ramanathan made an ultrathin film of the beautiful substance (polymer), patterned it with oxygen-reactive-ion etching and used heat and solvents to make it more crystalline

Trying to get a few thoughts recorded about this image.

I’m actually not quite sure what I want to say now that it’s sitting right there. Maybe just some free association.

It looks like candy, the human brain, a weird defect on someone with orange skin. The main form is embedded into the surrounding area, producing a slight bulge. The colors are electric and vibrate next to each other. It has both soft and hard qualities. The mottled texture mimics skin to some extend. The inside form feels snug and protected. It’s comforting and exciting at the same time.

The cross-sectional look gives a private and vulnerable feeling, like looking at a part of someone you shouldn’t be seeing. This starts to border on the sexual. Not something I usually speak to in my own work, but definitely always present.

Image: I came across this image in Wired’s “Nano Photos Rival Modern Art” story. Scientist Muruganathan Ramanathan made an ultrathin film of polymer, patterned it with oxygen-reactive-ion etching and used heat and solvents to make it more crystalline. Image courtesy of Materials Research Society.

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Linky-Loo

  • May 08

    Horrible and hilarious all at the same time.

    Comments 0

  • May 03

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  • This news flash must be talking about the commentors (me excluded of course) on Glasstire

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  • This 60 minute BBC documentary about British painter Francis Bacon has some revealing moments of Bacon in his studio (about 15 min in) and a great section in a restaurant where he just gets drunker and drunker. At first I was surprised, then entertained and finally, a little saddened at the reality of it all.

    While in his studio, paintings are highlighted with images of source materials. At times it felt like an obvious act, but I was a little surprised to hear how he really feels about his own work (and that of his contemporaries). I wonder when he first made these types of statements publicly? Did he always feel this way or was it once his work gained wide acclaim?

    Comments 0

  • Apr 26

    Nice Ansel Adams slideshow w/audio in the NY Times. The audio is from Andrea G. Stillman, his former assistant with whom he worked in the 1970’s.

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    “As an artist he felt that he could not make a creative statement in color because people would expect the color photograph to exactly mirror nature. Whereas when he was working in black and white he could create, what he called, a departure from reality.”

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  • Apr 20

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